Nostalgias

1989

            As a young adolescent I wasn’t cool enough to know about anything cool.  The year 1989 was a breakout time for me – both in my interests and in terms of my acne.  Prior to that year it was all Weird Al and whatever I heard on pop radio.  Before 1989 all I wanted was to keep my toe in the water so that I didn’t fall completely behind in youth culture and wind up asking “What’s a Fresh Prince?” or not understanding that ‘bad’ was ‘good’ and ‘rad’ was radically better.

            What people don’t know these days is that the 80s didn’t end until 1992, so in 1989 we were definitely still into hair metal, hair spray, leather and denim jackets, hockey player and mullet haircuts, Paula Abdul and the mall.  The big event that year was Tim Burton’s Batman film, which had a soundtrack performed by Prince.  Every publication slammed this album, suggesting that he had lost his golden touch.  I was into everything Batman that year but Prince gave me a weird feeling.  I really liked “Batdance,” the lead single from the soundtrack.  I hated what that might mean.  As funny as I think this is today, I thought that liking Prince meant you were gay.  I was a fan of Guns and Roses, Poison, Van Halen and Mötley Crüe, all of whom flirted with or fully committed to androgyny, but Prince was a step over the line to me.  In my twenties, after Prince changed his name from a symbol back to being Prince again, I decided at long last that I could begin buying Prince albums.  In defiance of my 13 year old biases I remain a straight Prince fan to this day.  And I really like the Batman soundtrack.

            I entered junior high school in the fall of 1989.  My history teacher was the type of person who wanted the students to think he was still cool.  It got annoying.  A former athlete, he teased students like a jock does, pointing out things about their appearance they had little control over.  But he allowed one cool moment to happen:  he found out that a girl from Jamaica was an aspiring rapper, so he let her rap one day.  Somebody pounded a beat on a desk for her and she went for it, mixing in Jamaican patois with American slang.  Hip-hop was not used to sell laundry detergent like it is today, and you didn’t hear it in Disney movies or on Broadway.  This was possibly a first – a freestyle rap asked for and condoned by an authority figure in a public school.  I still remember how this normally quiet girl came to life as she rapped in front of the blackboard.

            I also remember that, for some reason, there was a collection of plastic WWF pro wrestling figures hanging from the ceiling over the students’ heads.  I had to take a standardized test under the watchful, cocked eye of one of the Bushwhackers*.

            The other unforgettable item in this classroom was an enviable hi-fi stereo and speakers, and most days while we completed worksheets we were allowed to listen to the rock station.  This is where I got to hear the B-52s’ “Love Shack” every day (like my Prince dilemma, it took me a few decades to admit that this is my all time favorite song).

            The other song that played every day that autumn was called “Love in an Elevator” by some new band called Aerosmith.  In the song, the singer seemed to be advocating the joys of making love inside the confines of an elevator.  I was fascinated.  After watching the music video, I confirmed that indeed this band was very fond of using this manner of conveyance in their love making.  It was then that I decided I needed to buy this cassette tape.

            This wasn’t just any other purchase.  This would mark the first time I would buy a tape with my own money, the first time outside of my comfort zone. 

            But I’d have to sneak it past my parents.  They were not very restrictive over content.  If they thought I’d enjoy a critically acclaimed movie I could watch it no matter what the rating.  No books were ever off limits.  On the other hand, they seemed to believe Tipper Gore and the PMRC** when she said that children needed protection from certain records.  One time, after reading a Newsweek exposé on the rowdy Beastie Boys and their degenerate fans, my father came to me inquiring if I too felt the need to fight for my right to party.  And he was serious.

            Now, as a parent, I understand the concern.  You don’t want your son to get any weird ideas.  And at 13 I was completely in the dark about sex.  I didn’t know what it meant when Steven Tyler sang “go-ing dooowwwnnn” suggestively on “Love in an Elevator,” but I knew enough from context clues that it was A) something I needed to know more about and B) something I needed to hide. 

            One Saturday morning I talked him into taking me to the record store.  I found the Aerosmith cassette tapes, but since I didn’t know they were around since the early seventies I had trouble locating the one I wanted.  I couldn’t ask the clerk – what if he and my dad were in cahoots?  I found the album Pump, saw that it had the track I heard in class, and bought it. 

            In the car, my dad told me to play the tape in the tape deck.  I was nobody’s fool.  This wasn’t a question.  I couldn’t say, “I can wait until I get home.”  This was an inspection and I wanted to pass.  I quickly scanned the names on side A to find a few tunes for the short ride home.  First side, first track:  “Young Lust.”  As a regular attendee of Catholic mass, I knew the definition of lust and assumed Mr. Tyler wasn’t going to be subtle on that track.  Further on that side I had to face “Love in an Elevator” and “Janie’s Got a Gun,” two tracks I had no way of defending on the spot.  The third single, “The Other Side,” started side B and it was an innocuous jam, catchy and empty headed.  My play was to fast forward the tape to side two and let the chips fall where they may.

            My father’s tape deck had a convenient technological advancement that allowed you to seek the gaps between songs.  Thus, hitting the fast forward button once would only get you to the next song, not all the way to the end of the side.  I had to pretend I didn’t understand how this fast forward button worked and press it five times while my father looked at me like I was one of the apes at the beginning of 2001: A Space Odyssey.

            Aerosmith became my new obsession.  I quickly realized that in my attempt to become cool I had become a fan of a very cool band.  I learned about their longevity, the drugs, the breakup and the comeback.  Every time I saved $7.99 I would buy a new cassette tape, starting with Toys in the Attic (because I had heard “Walk this Way” somewhere), then Permanent Vacation (because you couldn’t escape “Dude Looks Like a Lady”) and on and on until I had all of their output.  “Walk This Way” is one of the best rock and roll songs ever recorded, a perennial favorite for inclusion on my mixtapes.  I remember listening to their self-titled debut album on the bus one morning.  Imagine hearing “Dream On” for the first time and having to process that at 7 am.  It struck me at once as moving and profound yet depressing, as if life was already over.  In essence, if you think you’re going to be anything you had better dream on.

            Once I had obtained every studio and live recording released between 1973 and 1989 I had my opinion of what was the best.  The first four albums – Aerosmith, Get Your Wings, Toys in the Attic and Rocks – and Pump were the absolute best.  I could find no fault in them.  They swung harder than any band, the riffs were dirty and dynamic, and the sexual innuendo, from what I could understand, made me feel bad, as in good.

            But then came the nineties.  You know the story – Nirvana, Seattle, grunge, alternative.  Hair metal died a quick death.  Did that matter to my favorite rock and roll band?  Not really.  Pearl Jam was just as inspired by Aerosmith as Guns n Roses was, even though Eddie Vedder only wanted to talk about Neil Young and the Who.  Aerosmith still got love on MTV and from younger artists, like the Black Crowes. 

            My love for the band was tempered when they released a single called “Livin’ on the Edge” from their 1993 album Get a Grip.  I watched the video for this tune and immediately my heart sank.  “There’s something wrong with the world today/ I don’t know what it is …”

            Oh, no.  Steven Tyler, the man who told me about his young lust only a few years prior, was turning into an old man.  As a teenager, all you hear from older generations is that “kids don’t know anything,” “back in my day …,” “the country is going to hell,” etc.  The song was comfortably delivering curmudgeonnish tripe like this, and I hated it.  It didn’t help that the record’s three huge singles, “Amazing,” “Crying” and “Crazy,” were the same song rewritten three different ways with varying amounts of country music affectations.  At least “Eat the Rich” was cool, but in pre-iTunes times one did not simply walk into Sam Goody and obtain a record on the strength of one song.  That album was a hard pass for me.

            I did pay attention to the band, though.  Their MTV unplugged set was revelatory – proof that a band that played together for two decades had the chops.  A three disc box set, Pandora’s Box, revealed many treasures, including a cover of Fleetwood Mac’s “Rattlesnake Shake” that has to be heard to be believed.  A late career album, the awfully titled Honkin’ on Bobo, was exactly what I needed – proof positive that Aerosmith could still do it.

            Then again, you had to see Steven Tyler as a judge on American Idol.  Was that okay?  What about the band cutting back on touring and instead serving a residency in Las Vegas?  What are they, the rock and roll Rat Pack?  And how much longer did I want to see Tyler sassafrassin’ around on stage, singing about getting laid like he was still a teenager? 

            Meanwhile, I had gotten serious.  I had a corporate job (sadly, only a one story building, so no elevator).  I had begun listening to Radiohead.  I began denying that I was an Aerosmith fan.  Hiding it.  As I became more sophisticated they became synonymous with beer bellies, fireworks and monster trucks.  Aerosmith was dirtbag music.

            Then I figured out something that I had a hard time comprehending at first.  Steven Tyler and my father are the same age, born within months of each other in 1948***.  When the band released its first record, my dad was a newlywed.  The same year that Aerosmith had their first big tour, I was born.  And when Mr. Tyler was boogie-footin’ around in 1989 my dad was going to work.  As they aged in the new millennia, both were prone to embarrassing themselves, but Tyler was rewarded for it.  Nobody ever seemed to say, “Christ, you’re in your seventies now!  Stop singing songs about chasing women!”

            Then I reached my early forties, the same age as Tyler during the period of time between Pump and Get a Grip.  What am I like now?  I’m not a former athlete trying to look cool around seventh graders.  I’m also not some legendary musician that exudes coolness.  But you know what?  I’d like a little young lust back in my life.  I’d like to feel F-I-N-E fine once in a while.  And if somebody copped a feel in an elevator now and then, what’s the harm?

            Looks like I’m a dirtbag after all!

*The Bushwackers were a tag team from New Zealand that licked each other’s cheeks.  It seemed that the WWF were implying that they were inbred hillbillies.

**Out of touch Boomer organization that created Parental Advisory labels for albums with explicit language.

***Same year as Billy Crystal.

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Short Stories

Slideshow

“I’m sorry, I didn’t realize.”  My Uncle Brett stands in front of me and soaks me in.  Drink in hand, he hangs like a marionette under the cheap chandelier in the rec room.

“Save it,” I say.  “You don’t care.”

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My father had planned the whole thing:  booking the room; catering it himself with lunch meat, potato salad and beer; and inviting anyone who knew Mary.  That included family from as far west as Seattle, as far east as Massachusetts and as far south as Tennessee.  And Uncle Brett.

I was in charge of selecting the music.  My father asked me to bring “some of that jazz stuff” I have “so damn much of” to play as peaceful, background music.  I turned to my 1,200 plus collection of compact discs, cassette tapes and records and wondered if John Coltrane would have been able to select the most apropos of his many splendid recordings.  I selected a mellow Cuban jazz album, a soft piano recording and some new age thing that had snuck its way onto my shelf.

And that was all I had to do, except read the same bible passage that I had read in Seattle, when we had sent Aunt Mary off to the hereafter for the first time.

The first time, I could barely stop myself from breaking down as I sat there in a pew three thousand miles from home in front of strangers who wouldn’t remember me in a month’s time.

For the memorial service six months later, the one that was planned in advance so that everyone could clear their schedule for a convenient mourning, I found it hard to pick up on that frequency of emotion.  Perhaps the difficulty was caused by the monsignor who couldn’t remember Mary’s name without checking his notes.  Maybe it was my grandfather talking about every irrelevant thing that popped into his mind, from World War II stories to what he had for breakfast that day.

Or maybe it was the lurking presence of Uncle Brett returning to the fold after years of waltzing Matilda around the country.  His face was creased with lines, his hair a black-gray scouring pad, his fingernails yellow, his clothing suspiciously neat.

Uncle Tom cried during the eulogy.  He was the youngest of the five children, Mary the oldest.  There was never a clearer case of an older sibling-younger sibling/parent-child relationship.  Tom had gained fifty pounds since learning that Mary’s tumor was inoperable.  I expected the trend to continue long past the memorial.

My father was the second oldest, my aunt Patricia the second youngest.  She cries at movies, in church, the DMV, when she sees children, when she sees someone she hasn’t seen in a long time and when she leaves them.  Whenever she talks to me she seems very sincere.

Uncle Brett was the middle child.

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“Tomato juice?”

“Yup,” I say.  “Keeps my girlish figure.”

“Smart ass.  What are you up to in Massachusetts?  Still writing?”
“Yes.”

“What are you writing?  Can I read something?”

“Um … sure.”

He is apparently sober.  It seems that the drink in his hand is ice water.  No one could guzzle iced rum, vodka or gin like that, could they?

He makes it official.  He asks if he has ever wronged me personally.  Step nine.

I say, “That’s what I’m writing my book about.”

“Seriously, tell me.”

There is silence.  The piano music I selected is playing, an avant-garde piece that cuts through the room like spilled kitchen knives.  Someone says, “Who picked this garbage?”

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I once dated a girl who informed me that I only liked listening to the depressing songs in any given selection of music.  This isn’t true.  It couldn’t possibly be.  Listening only to the downbeat tunes from my massive collection would result in homicide or suicide.  Or alcoholism.

My favorite song is “Love Shack” by the B-52s.  So there.

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Uncle Brett once told my cousins and me a story about a girl he dated in THE SIXTIES who looked like Jane Fonda.  He might have actually tried to claim she was Jane Fonda had it been the case that:

  1. He was more drunk
  2. We were naive enough to buy it and had appreciated the significance of dating such a celebrity
  3. We gave a shit about this story in the first place

Brett told us this during a Fourth of July celebration in the Poconos.  It was 1994 and he was telling us a story that was at least 25 years old, had nothing to do with us and served only to intimidate.  The supposed facts were that he and Jane Fonda-but-not had a date at a revolving restaurant in the top of a tower overlooking Niagara Falls.  Then he insinuated that he had sex with her.

During the story, a spectacular fireworks display was erupting behind him.  The pyrotechnics were exploding over a lake, the reflection illuminating the night as other vacationers salted the rim of the basin.  I had the feeling that I was – if only for a brief moment – part of what was happening.

But Uncle Brett’s stories nagged at me persistently and it wasn’t long before the spectacular man-made aurora borealis took a backstage to my relative’s stories about THE SIXTIES.

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He’s still waiting for a response to his step nine question.  “Well?”

It isn’t fair, I think.  For years Brett ruined holidays and special events with his drunken escapades.  Now he’s doing the same thing without a drink in his hand.

I still don’t say anything.

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Bear with this horrible analogy:  In the solar system, my aunt Mary would be Mercury – very active, opinionated, feisty, the first.  My father is Earth – the seemingly most important, successful and productive compared to his siblings.  Aunt Patricia is Saturn — on the outskirts of everything and oddly fascinating.  Why did she move so far away, yet cries when she has to leave?

Tom, the youngest, is like Pluto, and like that celestial body’s downgrading from planet to ice chunk, none of us would be shocked to learn that Tom is not in fact a member of the family, but a wayward, hairless Sasquatch.  But, like Pluto, no one hates him for being simpler than the rest.  Everybody loves Uncle Tom.

Uncle Brett is Mars.  He is a lesser man than my father, like Mars is a lesser version of Earth in some respects.

The analogy is really straining at this point.  They aren’t made to work well.

Because Brett grew up the younger brother of my father, he defined himself differently to set himself apart.  In early childhood they were remarkably alike, but later on not so much.  My father has always been a hard worker; Brett has been on disability for no good reason for over twenty years.  I think they hate each other but won’t say so.

Brett immediately targets me at these gatherings to confront my father’s hatred for him through me.  I only figured this out halfway through the memorial luncheon, the first time Brett didn’t cross a room solely for the purpose of giving me a heaping pile of shit.

Maybe he hoped to sway my opinion of him.  Perhaps I would eventually turn on my father and defend a lazy alcoholic.

So that makes me the Moon, and Mars is trying to exert its gravitation pull on me to lure me away from Earth.

Not working.

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When I was young, we used to have both sides of the family over for Christmas.  That was a happy time, when I was too preoccupied with presents and dessert to think about anything else.  My cousins and I would play for hours.  There were always temper tantrums when they had to leave at the end of the afternoon.

I used to look at my room as a work space and my toys as the building blocks for potential inventions.  A laser gun was reconfigured into a doorbell.  A string attached to the bedroom door would turn on the light switch as soon as the door was opened.  String, tape, pulleys and water balloons were used to assemble a device that kept out intruders.

Everyone thought it was so cute.  My mother still mentions this character trait to me now, as if she has preserved a pre-pubescent perfect child for her memories.  I will mention something from the present that might make her uncomfortable – the reality that I meet women and take them home once and maybe see them for a while or maybe never again – and within ten minutes she will say, “Remember when you used to . . .”

The last time I made something out of tape, string, rubber bands, toys and the like was 1988.  I was twelve.  I had my younger cousins enthralled with a network of noise-making gadgets interconnected with string needing only a trigger to set off the entire mess.

That was when a drunken Uncle Brett stuck his head into my room and said, “So this is what you do when you’re not playing with yourself.”

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My grandfather is done eating a small slice of the cake that my father purchased for the memorial.  He gets up from the lone comfortable dining chair that my father provided for him to sit on.  His prostate is bothering him, he says.  “This damned chair …”

Gramps makes his way to the foyer.  I see him coming from over Uncle Brett’s shoulder.

My uncle turns and says, “There he is.  How you holdin’ up, dad?”

“Bretty-Brett-Brett.  Oh, your old dad is miserable.  Couldn’t they pick a better day for this?”

“I know!”

Part of the purpose for this interaction is to push off grief for another day, the way another drink or another cigarette would.  Another part entails Brett buttering up Gramps so that later he can ask for some money.  There are other parts, I’m sure, of which I am unaware, similar to the way my father and Uncle Brett are two sides of a coin, each one providing precisely what the other lacks.

I assume this is the reason why my grandfather says, “You’re the real hero of the day, Bretty.  Murph, did he tell you about what he did?”

He means me.  I nod.  He’s referencing the fact that this prodigal son has come back for good and hasn’t touched a drop in two months.

“Damn hero,” I say.

The conversation is cut short because my father, who organized the entire event, is going to make something of a keynote speech.

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One time, when I was three years old, Uncle Brett swept through town and insisted on taking Little Murph out to McDonald’s.  According to what I’ve been told, I ate so slowly that Brett vowed to never take me anywhere again.  There, over cold French fries, he decided I was a brat.  This makes it clear to me that he started it.  He has since tried to claim that we were once buddies and that I turned on him at some point.

My mother tells me the French fry story every time I call my uncle an asshole.

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My father is speaking from the heart about his sister, Mary.  She meant a lot to him, and he is having trouble getting through his speech.  He wants everyone to know how much Mary changed people’s lives, how she would fight any injustice and how she hoped we would all follow in her footsteps.  Above all else, she had wanted the family to always stick together.

I find it hard to concentrate because I am staring over at Brett, wondering what he is thinking.  Is he sad?  Is he waiting for this moment to be over so that he can grieve alone?

Is he going to run back to the bottle?

I am jolted out of my reverie by silence.  My father is choked up and can’t continue.  Aunt Patricia and Uncle Tom walk over and put their arms around him.  Uncle Brett also walks over and puts his arms around them.  There is something going on that no one else in the room is privy too, certainly not distant cousins and in-laws, and clearly not I.  My grandfather is also shut out, but if he never saw this sibling camaraderie before then he wasn’t paying attention.

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Even though he is a hairless Sasquatch, Uncle Tom was able to find a woman to marry him.  Her name is Aunt Fern, a saint with a big voice and a boisterous personality.

I met her at her father’s house in 1991 at a party intended for everyone in both families to get to know each other.  I played outside with her son from another marriage, Bobby, while the adults talked.

Later that night, we all played Scattergories.  If I remember correctly, that’s the game where a letter is picked and each team must come up with a list of people, places or things that begin with that letter.  Any two teams that select the same word don’t receive points for that entry, so the more clever the word choice the better.

I don’t remember who won.

I don’t remember the layout of the house, the color of the paint in the living room or the car Aunt Fern drove at the time.  I don’t remember Aunt Fern’s sister at all, but apparently she was there.  I don’t remember meeting Fern’s father, who passed away shortly after that party.

I do remember that during the game Uncle Brett stood up to argue every time he missed a point.  To insist that “Jermano” is a type of dog.  That there shouldn’t be a time limit.  To demand a restart.  For a new partner.

By the end of the night, all of the air had been sucked out of the room.

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I could go on and on and on and on.  This is an old collection of slides that doesn’t quite line up properly, but the circle will be unbroken.

There are a few more things to add before it ends.

One, I really want to punch Uncle Brett in the face.  I could do it and he’d hit the floor, cold.  I’m not bragging, it’s just that he has wasted away to nothing.  Believe it or not, THE SIXTIES were kinder to Keith Richards.

Two, I really cannot punch Brett.  Ever.  I would be the outcast then.  The family would not forgive me.  Besides, I think my father has first dibs.

Three, I acknowledge that I should just let it go.

And one more:  I truly don’t hate THE SIXTIES or those who survived them.  Just the ones who couldn’t move on.

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For the first time I can recall, my uncle is talking to me and he is coherent.  He isn’t soaked in booze.

“Just tell me.  What’s your problem with me?  What did I do?”

And then I let him have it.

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